Wednesday, December 2, 2009

One From the Vault: Ken Nordine's Colors


Have you heard the big news? Magenta has her own gossip column! Finally, the inside scoop on the ins and outs of the entire color spectrum from that nosiest of colors. Of course, if you doubt that the secret lives of colors are really all that exciting in the first place, just ask Ken Nordine. A legendary Chicagoland radio DJ and voiceover man in the 50s and 60s, Nordine had a huge hit with a series of ads for Fuller Paint in which he waxed poetic on the company's various shades and hues. The ads were so popular, in fact, that the station was flooded with requests for them to be re-aired. Instead, Ken Nordine did the only logical thing. He recorded a entire album of such pieces, 34 tracks in all, on which he coolly holds forth on the vices and virtues of Turquoise, the obscurity of Nutria, and the foolishness of Russet. It's an album as almost-overwhelmingly bizarre as it is inescapably fascinating. As a veteran voice-actor, Nordine surely had ample experience imbuing drab copywriting with vim and vigor, and when he applies these same masterful skills to his thoroughly well-imagined color universe, the results are simply stunning. You'll listen in wide-eyed, jaw-dropped astonishment as he casually introduces the supporting members of the Group Called Oop, with Yellow Ocher on bari sax and Burnt Umber, recently paroled, on drums, before finally, excitedly, calling to the stage the star of the show: Sepia! You'll witness the dramatic irony of Olive's somber self-pity, while, elsewhere, "those with the nose for the new (the passionate few)," are about to name Olive the color of the year! And to think, without the insightful insights of Mr. Nordine, you'd have no clue/ of the greenest of greens, and the bluest of blues/ of the ongoing goings on/ of every color, shade, tint, and hue.

Incidentally, the antics of Ken's colors seem to have provided ample inspiration for aspiring animators, including what appears to be multiple class project built around his pieces, one featuring animated paper cut-outs, and another utilizing kinetic typography.





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